Coming Soon!

The Angel’s Last War has found a home with World Castle Publishing! This will be released soon, probably in the summer of 2025.

What if you could live forever—but never escape the battle between good and evil?

Malak’s first memory is of the Crucifixion. From that moment, he is cursed—or perhaps chosen—to die and rise again, century after century, witnessing the rise and fall of empires, the birth of religions, and the unrelenting cycle of human suffering. From the burning of Rome to the Crusades, from the Inquisition to the Black Death, from the battlefields of the American Revolution to the war-torn present, Malak searches for meaning, haunted by a beautiful and enigmatic woman who seems to follow him across time.

Now, in the modern world, Malak leads a clandestine organization dedicated to preventing humanity from spiraling into chaos. But his latest mission—assassinating a Saudi prince funding global terror—has put him in the crosshairs of the CIA. Worse, a greater enemy lurks in the shadows. Lucifer himself has been waiting for Malak, and at Megiddo, the prophesied site of Armageddon, he will offer him an agonizing choice.

Spanning two thousand years of history, faith, and violence, The Angel’s Last War is an electrifying, thought-provoking epic that will keep you riveted until the final, fateful choice.

This is the best book I’ve written thus far, I think. It took me years to write and I did a tremendous amount of research. Because it spans two thousand years, there was a lot to learn that wasn’t covered in my history classes!

While this is not a specifically Christian book, it is written from a place of faith, and I tried very hard not to directly contradict anything in the Bible or what we know of history. My personal belief is that God exists, but he’s so far beyond human comprehension that we cannot adequately describe Him. There is certainly a difference between religion and faith, and great evil has been perpetrated by organized religion through the ages, as men subvert goodness to their own desires. The Crusades and the Inquisition were a nasty bit of business.

A side note that some readers may find interesting:

I’ve never seen a demon or anything supernatural, but, while researching one particular demon for this book, I experienced a migraine headache, the only one I’ve ever had in my life, and I had to leave the house. There was a palpable sense of evil around me, a heavy, sticky weight that lasted for hours. It was bad enough that I tabled the book for a while.

The cover art depicted here is not final, just conceptual. I’ll have a final cover reveal when my publisher approves it.

Author update: upcoming projects

medieval-knight2016 should be a very interesting year for me! I’ll have my first book in bookstores on March 22 with the release of Tears of Abraham, a novel about the next American Civil War. I hope to generate some press and buzz with this book, as the nation continues to rip itself apart with political vitriol. I hope people read the book and come away with the feeling that we as a nation are better than what we’ve turned into.

I’ve been working hard on Fate of the Fallen, and hope to self-publish this as a series. This novel has been extremely challenging to write because of the scale and the amount of research involved. The main character is an angel with limited abilities, and the novel follows his life, alternating between the past and present. He has been a monk, a gladiator, a crusader, a scholar, and a warrior. In the present, he is trying to prevent the next apocalypse. I’m planning on releasing this book next spring or early summer, and then following it with a series of novellas.

I’m outlining for my next full length novel, and this will be a big departure for me in terms of genre. I’ve been writing “thrillers with heart.” This next book is not a thriller, but straight forward literary fiction. I can’t wait to write it. It’s called Restoration. When  Arthur Glass’s wife asks for a divorce, he purchases a hundred-year-old house in historic Riverside, Florida. He forms a deep friendship with an old lady across the street, who tells him about the history of the house, and importantly, the stories that have unfolded within the walls.

The house has been an orphanage, brothel, speakeasy, and apartment during our nation’s great wars. Love, loss, hope, tragedy and miracles have lived here, and the stories Arthur hears mirror his own character arc, filling a need in him, reminding him of things he has forgotten and also teaching things he has never known.

Chapter One
Endings and Beginnings

Arthur Glass found the old house on Oak Street on the same afternoon his wife informed him that she was pregnant and wanted a divorce. He wasn’t ready for any of it.

He pulled his pick-up truck into the cracked concrete driveway and sat behind the wheel for a moment, gazing at the two story brick home before him, his thoughts a tangle of questions and despair. He needed a place to live, and he’d always liked old houses. He could do something with the place, as long as it had good bones.

How do people do this? How do you move on with your life when your life is destroyed, when everything you love is gone and your soul is peeled away? What is there to move on to? Why?

He picked his way around the overgrown yard, contemplating the exterior of the place. He guessed it was about a hundred years old, as many of the buildings in this part of Jacksonville were. “Historic Riverside,” was its moniker, an eclectic neighborhood where artists, professionals and vagabonds blended together. The streets were lined with majestic live oak trees, Spanish moss hanging down lush and lazy, a certain energy here he’d always liked.

The house sat on a dead end, and behind it was sprawling, shady Boone Park, the yard and park coming seamlessly together. The second floor boasted two columned porches overlooking the street and the park. Oaks, cedars, rose bushes and sago palms giving the grounds a wild, lush feel. Mocking birds twittered among the leaves, and on the steps a surly orange cat bestowed him with a baleful glare.

How did I not see this coming? Who is the father?

He used a credit card to pop the lock on the back door and stepped inside. The smell of mildew and age hit him and he took this in stride. Original hardwood floors, faded and worn creaked under his feet while he wandered from room to room. Plaster walls, some with ragged holes and all in dire need of paint. An old fireplace with a carved wooden mantle in the living room, two small bedrooms, a dining room, and a kitchen that looked like it popped out of Norman Rockwell’s imagination back in the fifties.

He wondered what stories had unfolded here over the years, what whispers these walls overheard.

He walked up a narrow staircase to the second floor, realizing that this was actually an apartment; each floor had a separate entrance. If he’d come here at any different time of day, perhaps things would have been different.
The late afternoon sun streamed through tall windows and filled the living room with golden October light, piercing the veil of decay and obsolescence with a kind of hope and warmth, inviting and serene. He could see this room filled with her canvasses and brushes and colors, alive with her laughter while she painted, dancing to Van Morrison, long dark hair cascading down her shoulders and blue eyes bright with creative mischief and something deeper, a peaceful sort of longing and truth. The way she used to look at him, but hadn’t in years.

She would love this room. Would have, he corrected himself. He had to think that way, and he knew it, but it was too soon and raw. He got it, though. Saw the truth even though it burned and always would and there was no way not to face it, here in that room with perfect light where the things he wished for were translucent dreams transposed onto empty spaces, emotional holograms bereft touch and feel. Delusions of simple grandeur that life boldly stated could never be.

Ghosts of tomorrow, that’s what they looked like to Arthur, and he could see them and it hurt to see.

Love is a contradiction, for it is beauty, promise and light until it turns, and when it turns, it’s quick and mean and dark and deadly and sucks everything in. A black hole birthed like an abomination from what was once a brilliant star, now hungry, relentless and devouring even the light which tries to escape it. Love is destruction. A force of nature implacable and cruel which obliterates what it does not tolerate: objects at rest, and things which have outlived their usefulness.

She says she loves me but isn’t ‘in love’ with me. What does that even mean? God, what happened to us?

Stepping into the room with the gold light spreading on empty spaces sealed his fate, for he knew at that moment that he was going to buy the place.

Love is restoration.

 

Other good news

Children of Wrath and Wrath and Redemption have both been picked up by audible, so they will be available soon in audio format. That’s great news, because Objects of Wrath did pretty well as an audio book.

Also, the entire Wrath trilogy will be distributed by Simon & Schuster next year, meaning that I’ll have the ability to have that in bookstores around the country.http://www.amazon.com/Objects-Wrath-Volume-Sean-Smith/dp/1618682245

 

Sneek Peek… FATE OF THE FALLEN

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Chapter Twenty-Two

When faith is the bedrock upon which a life is built, the loss of it, when belief crumbles to dust, reduces a man to bitter, abject desolation. Malak died in the sand, and in the sand he was reborn.

Waves crashing, the sun blinding, and the ocean a pale welcome blue, he plucked a crab from his chest and pulled yellow seaweed from matted hair, pushing himself into a seated position. Coconut palms stretched toward the sea along a pristine white beach. At his back a steep mountain lush with green jungle rose toward the cloudless sky. He’d never been anyplace like this before.

“Is this heaven? My reward? It looks a little lonely,” he muttered.

A seagull landed a few feet away and twittered at him. The crab scuttled along the surf line with one oversized claw, and one tiny, ridiculous one. The big claw raised like a shield.

“What do you want from me?”

The breeze,balmy and sweet, ruffled his long hair.

“Remember our last talk? I quit. I’m not doing this anymore.”

The palms rustled and the waves broke upon the reef line and lapped the shore, a steady rhythm of foam and clear water, more than a whisper, less than a conversation. Peaceful, serene.

Malak was not in the mood. He thought about the family he’d lost, the screams of children still echoing in his heart. The demon he’d faced, a thing which he never known walked the earth until he’d felt its unholy power. To him it was days ago, though he had no idea how much time had elapsed between Baghdad and wherever this was. Whenever he was.
His existence was unfair, he decided. Every life he’d lived felt futile, as did life itself. The friends he’d seen die, the blood he’d spilled with a blade… there seemed to be no sense to any of it, within the context of a loving, living God. Especially given that reality.

While he had experienced great peace, the times of turmoil and war overshadowed this, and he saw that both he and mankind were no closer to figuring things out than they were centuries ago.

The crab skittered toward a hole in the sand, and the bird hopped over to the crab and skewered it.
The crab does not pity itself, even as it dies, any more than the bird gloats over the killing and the meal. Men are different. Perhaps emotions only make living harder. For the crab does not expect to live any more than the bird believes it will eat, and the fact that these desires conflict keeps neither awake at night. If the crab assumed he’d be protected, living the crab-life, surrounded by hungry birds, yet confident in his continued prosperity, he would get angry when that beak pierced his shell.

“What’s the point? Clearly, there isn’t one. When I believe, you destroy. You are God. I can’t deny that you exist. Not after the things I’ve seen. But you are not what you should be. You’re a cheat in the marketplace, full of sunshine promises and whitewashed smiles, who then vanishes when it turns out you sold a lie, a cracked jar. You have no integrity. That you exist does not make me love you.”

He knew that these words were the worst sort of blasphemy, and it his lips burned a bit with the speaking of them and his guts tightened up, his body rebelling against his mind.

He walked along the beach, letting the water slide over bare feet, feeling the sand between his toes and the warm sun on his neck. He walked for perhaps an hour or two, and wound up where he started, circling back to his first footprints. The bird cocked its head at him and laughed in the way that birds sometimes do.

He was on an island.

Malak plopped down in the sand and watched the sun slide below the ocean, streaks of pink and yellow and purple painted upon the vast sky, and the face of the waters shimmering orange against the dancing white of the breakers and the deepening blue of the sea. The day dying, the night born.

He did not move, watching the first stars appear, punching through both light and darkness, becoming a wondrous myriad of diamonds strung melting into the sea. All the while, the waves hushed and frothed, luminescent and soothing.
He decided he would explore the interior in the morning, and that if he wanted to quit living and dying for both God and man, this would be the perfect place to do it.

That is exactly what he did.

He would come to call the island “The Rock,” and although he couldn’t know it then, it would become a place of solitude and wonder and joy. It would be a refuge, the only place he was born again more than once; often as he was dying, he prayed he would wake up there. It didn’t happen often enough for his liking, but when it did, he’d feel the sun on his face and the thirst in his soul and hear the music of the ocean and he would smile.

It took time to figure this out. Malak was hard-headed, and immortality proved no solution to being stubborn.
Water was a problem, and it was only through dumb luck that he figured out that coconuts held life-giving water within their hard shells. During a storm, a green one fell next to him, and he heard the liquid inside. After wasting the precious liquid on the first few attempts, he learned how to remove the outer husk and pierce the shell within, drinking heartily. He also learned to drink from plants after a hard rain, and started collecting his coconut shells to gather water during the rainy season. Despite being stubborn, Malak was smart and tough and adaptable

He ate fish every day, because the flesh contained water. At first he speared them, and as time went on, he learned to dig alcoves reinforced by coral and lava rock, letting the tide bring the fish in, where they would be stranded after it receded. He added nets formed with vines from the jungle to make this more effective. There were abundant fruit trees on the island, as well, and when it did not rain enough, these saved his life more than once. The island provided.

He was gifted and cursed with what would later be known as a didactic memory. He forgot nothing. He could recall the taste of food he’d eaten in the Ludus or Lisdenfrane on any given day at a specific meal, along with the ribald or Godly conversations which ensued. The more alone Malak was, the more he retreated into the past, finding comfort and solace with friends long dead. Hearing their cries, at the end. That was the thing.

As good as his memory was, these conversations were all one-sided, more akin to eavesdropping. He could not speak to his comrades any more than they could talk to him on this deserted island. The moments were what they were, unaltered and done, and even though Malak wished to speak into the past, he could not. What was done was done.
He exhausted these memories, and that soul-shrinking loneliness came back. It was a poverty of the soul.

He needed to get off the island because he was going insane. Also, he was bored. He’d been there for more rainy seasons than he could count. At least twenty years. He had every cause to believe that the easiest way off the island was to die.
At dawn, after a long night of dead conversation, he set out into the ocean.

He swam beyond the breakers, the waves smashing into the coral below, his blood blooming in the clear water, warm in the way that Lisdenfrane was not, wild and teeming with life and death.

The first time, he made it beyond the reef. He swam until he was exhausted, swept by the current out into the open ocean. He choked on salt water and sputtered and stroked. Things stung and nibbled at his extremities. The moon rose high and bright and he was far from land and man. He rolled onto his back while a thunderstorm crashed a few miles away, lightning arcing from horizon to horizon, white and ragged, waves building, his body carried up and down, as alone as any man can ever be.

“Here I am! Kill me! You don’t care, so let’s get it over with!” He gulped a cresting wave, the water stinging his eyes.
The first shark took his right leg above the knee with one bite. It felt like a hard shove, followed by tingling and pain and ironic, gulping laughter. The next shark chomped him in the torso and took him down for a while, a plunge into the dark, where his ears hurt and his lungs burned and his guts were on fire below the sea, and Malak decided that there were better ways to die.

He felt the same sun, heard familiar lazy waves, and saw the same damn bird making angry tracks in the sand when he opened his eyes again.

“Really?”

He experimented with ways to kill himself for a season. Drowning, starvation, fire, and the ever faithful sharks. None of it worked. He wound up back on the beach.

And so began the conversation that mattered. The one he was meant to have.